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Category | Title | Body |
Theater | Ancienct greek drama | ancient Greece Drama Les representations theatral sont les grands evenements du l"annee. C"etait presentait juste 10 fois par an. Toutes les personnes ont voulait le voir. Ils etaient besoin de payer deux aboles pour entrer le stadium. Si quelqu"un etait trop pauvre,le cite ont payer pour lui parce que c"etait un evenement special. Ils ont apporter ce qu"ils ont voulait manger... |
Theater | Design of greek and roman theatres | HOW WERE THE GREEK AND ROMAN THEATRES DESIGNED? ENGLISH-111 DECEMBER 7, 1994 The designs of theatres during the last five-hundred centuries b.c. varied in many ways of construction and design. The technical advances in acoustics and construction were enormous. The placement of the seating and construction of the stage and even sizes of the theatres varied from theatre to th... |
Theater | Dialectic and spectacle in the harrowing of hell | Roland Barthes's essay on "The World of Wrestling" draws analogically on the ancient theatre to contextualize wrestling as a cultural myth where the grandiloquence of the ancient is preserved and the spectacle of excess is displayed. Barthes's critique -- which is above all a rewriting of what was to understand what is -- is useful here insofar as it may be applied ... |
Theater | Epic theatre the caucasian chalk circle | "Epic Theatre turns the spectator into an observer, but arouses his capacity for action, forces him to take decisions...the spectator stands outside, studies." (Bertolt Brecht. Brecht on Theatre. New York:Hill & Yang, 1964. p37) The concept of "epic theatre" was brought to life by German playwright, Bertolt Brecht. This direction of theatre was inspired by Brecht"s Marxist political b... |
Theater | Epic theatres | Epic Theatres "Epic Theatre turns the spectator into an observer, but arouses his capacity for action, forces him to take decisions...the spectator stands outside, studies." (Bertolt Brecht. Brecht on Theatre. New York:Hill & Yang, 1964. p37) The concept of "epic theatre" was brought to life by German playwright, Bertolt Brecht. This direction of theatre was inspired by Brecht's M... |
Theater | Eugene ionesco et le theatre de l'absurde | Eugene Ionesco est ne le 26 novembre, 1912 a Slatina en Roumanie. Il eteit elu a l"Academie Francaise in 1970. Apres qu"il avait obtenu son diplome et sondoctorat, il a travaille a Paris comme correcteur, et bientot, il a commence a ecrire. Comme ecrivain, Ionesco inspirait une grande revolution dramatique. Il a aide a inaugurer le Theatre de l"Absurde. En 1949, il a ecrit La Cantatrice C... |
Theater | How were the greek and roman theaters designed? | How Were The Greek and Roman Theaters Designed? The designs of theatres during the last five-hundred centuries b.c. varied in many ways of construction and design. The technical advances in acoustics and construction were enormous. The placement of the seating and construction of the stage and even sizes of the theatres varied from theatre to theatre. They varied from open-air to roo... |
Theater | Kate's soliloquy | Kate's soliloquy bring about a joyous conclusion to The Taming of the Shrew. The audience leaves the theatre with a pleasant feeling, glad that such a shrew could be tamed so well. Kate herself realised the error of her ways, making the men feel confident while making the women feel safe. Moreover, the audience found the speech to be very sound and sensible, as the views expressed in the... |
Theater | Little red riding hood | DRAMA 3020/CHILDERN"S THEATER SCRIPT # 4 - 5 ? NONETRADITIONAL THEATER SCRIPT LITTLE RED RIDING HOOD; ADAPTED FROM ... |
Theater | Moliere's tartuffe | The Theme of Moliere"s Tartuffe: Reason vs. Passion Jean-Baptitste Poquelin Moliere"s Tartuffe, is undoubtedly a satirical comedy. In Moliere"s description of a satire, he was very direct as to the function and objectives of one are. The function is to correct men"s vices, using satire to ridicule them and expose them to public laughter (Moliere, p.14). Although this satire is making fun ... |
Theater | Neil simon, the most successful playwright in the history of theatre | Neil Simon, the Most Successful Playwright in The History of Theatre "It can be argued that Neil Simon is not only America's most successful playwright, but also the most successful playwright in the history of theatre."1 Despite being criticized for lack of substance, his hugely successful comedies are consistently revived, whether on Broadway or in other community or dinner ... |
Theater | The art of theater | Neither a book nor a work, but an energy Theater is the most remarkable art of life. It is a collaborate art combining different people into one solid group in which they work together harmoniously in order to portray a certain idea, concept, or piece of art. Theater deals with various forms of emotions and is most commonly expected to leave a trace or stimulate sentiments on the audi... |
Theater | The history of greek theater | The History of Greek Theater Theater and drama in Ancient Greece took form in about 5th century BCE, with the Sopocles, the great writer of tragedy. In his plays and those of the same genre, heroes and the ideals of life were depicted and glorified. It was believed that man should live for honor and fame, his action was courageous and glorious and his life would climax in a great a... |
Theater | The history of greek theater | The History of Greek Theater Theater and drama in Ancient Greece took form in about 5th century BCE, with the Sopocles, the great writer of tragedy. In his plays and those of the same genre, heroes and the ideals of life were depicted and glorified. It was believed that man should live for honor and fame, his action was courageous and glorious and his life would climax in a great and nobl... |
Theater | The similarites in antigone and creon | I here by give all ownership and copyrights to you The similarities between Creon and Antigone "Ah Creon! Is there no man left in the world-" Teirsesias Greek theatre played a large role in Greece. The citizens were supposed to learn from the mistakes made in tragedies. The citizens should have learned what not to be like as a citizen or person. In a Greek trilogy written by Sopho... |
Theater | The similarities between creon and antigone | The Similarities Between Creon and Antigone "Ah Creon! Is there no man left in the world-" Teirsesias Greek theatre played a large role in Greece. The citizens were supposed to learn from the mistakes made in tragedies. The citizens should have learned what not to be like as a citizen or person. In a Greek trilogy written by Sophocles there are two main characters, Antigone and Cr... |
Theater | The similarities between creon and antigone | "Ah Creon! Is there no man left in the world-" Teirsesias Greek theatre played a large role in Greece. The citizens were supposed to learn from the mistakes made in tragedies. The citizens should have learned what not to be like as a citizen or person. In a Greek trilogy written by Sophocles there are two ma in characters, Antigone and Creon. They are both st... |
Theater | The theater of dionysus | The Theater of Dionysus The Theater of Dionysus was Europe's first theater, and stood immediately below the Parthenon in Athens, Greece. It was originally built in the late 5th century B.C. The theater was an outdoor auditorium in the shape of a great semicircle on the slope of the Acropolis, with rows of seats on which about eighteen thousand spectators could comfortably seat. The f... |
Theater | Theater of dionysus | The Theater of Dionysus The Theater of Dionysus was Europe"s first theater, and stood immediately below the Parthenon in Athens, Greece. It was originally built in the late 5th century B.C. The theater was an outdoor auditorium in the shape of a great semicircle on the slope of the Acropolis, with rows of seats on which about eighteen thousand spectators could comfortably seat. The fron... |